The Case Study House program (1945-1966) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program's chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and had a pronounced influence on architecture-American and international-both during the program's existence and even to this day. TASCHEN brings you a retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

The Case Study House program (1945-66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program's chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and thus had a pronounced influence on architecture-American and international-both during the program's existence and even to this day. TASCHEN brings you a monumental retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.

All of Richard Neutra's works gathered together in one volume
"" ...] the definitive volume on the Viennese-born architect." - Los Angeles Times," Los Angeles
Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style.
Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. His ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture.
For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers.

​The buildings burned in our memories, which to us represent the spirit of ’50s and ’60s architectural design, were those whose pictures were widely published in magazines and books; but what about those that got lost in the process, hardly or never appearing in publication? The exchange of visual information is crucial to the development, evolution, and promotion of architectural movements. If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion. With this book, TASCHEN brings them to light, paying homage to California Modernism in all its forms. The abandoned files of Julius Shulman show us another side of Modernism that has stayed quiet for so many years. Bringing together nearly 300 forgotten masterpieces, Modernism Rediscovered pays tribute to these lesser known yet outstanding contributions to the modern architectural movement. It’s like sneaking into a private history, into homes that have rarely been seen and hardly appreciated as of yet.

Deciding to have laser vision correction may be one of the most important decisions of your life. With the increasing popularity of this procedure, it is imperative to be fully informed of both the risks and the benefits of this potentially life changing operation.

An eye surgeon for thirty years, author Dr. Julius Shulman has performed nearly a thousand laser vision procedures. In this completely revised edition, Dr. Shulman guides you through the myriad decisions you must make to see if laser vision correction is right for you.

In clear, easy-to-understand language, Dr. Shulman reveals key points in the decision-making process that may be critical for success: Who is and is not a good candidate for laser vision correction Which of the three main laser vision correction operations may be best for you Risks and possible complications of laser vision correction What to expect on surgery day How to get out of reading glasses

Let "No More Glasses" be your definitive information source for laser corrective surgery

With a life and career spanning nearly a century, Julius Shulman is credited with furthering the midcentury modernist movement through his flawless photographs of the pioneering architecture of Richard Neutra and Charles Eames, among others. While Shulman's pictures comprise the most published images of the modernist movement, this monograph presents many neverbefore- seen images on a subject closest to Shulman's heart: Los Angeles and its environs-including Palm Springs and other suburbs. Shulman documents then-emerging areas like Century City, Wilshire Boulevard, and Echo Park, as well as landmarks like the Watts Towers and Grauman's Chinese Theatre. Many of these Los Angeles buildings and neighborhoods have since been overhauled, torn down, or otherwise altered beyond recognition, making these images some of the only lasting testaments to their existence. Selected from his personal collection as well as his official archives, the photographs represent not only lesser-known and never-before-seen material, but also some of Shulman's own personal favorites.